​Authored and edited books

L’Art du Féminisme: Les images qui on façonné le combat pour l’egalité, 1857-2017

Paris: Hugo Publishing, 2020. translation of The Art of Feminism: Images that Shaped the Fight for Equality 1857-2017

A Companion to Feminist Art

WileyBlackwell, 2019.
Co-edited with Maria Buszek

The Art of Feminism: Images that Shaped the Fight for Equality 1857-2017

Chronicle Books 2018;
Tate Publishing 2019
Co-authors: Lucinda Gosling, Amy Tobin; consultant editor, Helena Reckitt.​

Feminism-Art-Theory 1968-2014: An Anthology

WileyBlackwell, 2015.
New edition of Feminism-Art-Theory 1968-2000. 
​88 texts.

Reading Art, Reading Irigaray: The Politics of Art by Women

I.B. Tauris, 2006.

Feminism/Art/Theory 1968-2000

Blackwells, 2001.
​99 texts.
This was reprinted with a black cover after Harrison & Wood complained that this original design was too similar to their Art in Theory 2000-1990, also from Blackwells.

Venice: The Rough Guide

Co-authored with Jonathan Buckley 
1st ed.: Rough Guides/Harrap Columbus, 1989
2nd ed: Rough Guides/Penguin, 1993
3rd ed: Rough Guides/Penguin, 1995
2nd & 3rd editions published with different covers.

Visibly Female: Feminist Art Today: An Anthology

London: Camden Press, 1987
New York: Universe, 1988

---

Selected chapters in books

‘Bodies, borders, and law: Tanja Ostojić: Looking for a Husband with EU Passport’ 

in: Iconic Works by Feminists and Gender Activists: Mistress-Pieces ed. Brenda Schmahmann
Routledge, 2021

‘Not White, Not Male, and Not New York: Race, Feminism and Artists in Pittsburgh’

in: Feminist Visual Activism ed. Basia Sliwinska
Routledge, 2021

‘Bodies, borders, and law: Tanja Ostojić: Looking for a Husband with EU Passport’ ​

In: Art and Activism in the Age of Systemic Crisis: Aesthetic Resilience 
eds.: Eliza Steinbock, Bram Ieven, Marijke de Valck 
Routledge, 2020

‘Witness it: Activism, Art, and the Feminist Performative Subject’

in: A Companion to Feminist Art
eds. Hilary Robinson & Maria Buszek
WileyBlackwell, 2019

‘Pleasure, Painting, Politics: The Three Graces – Or: Why I Like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils’

in: Artistic Production and the Feminist Theory of Art: New Debates III 
eds: Xabier Arakistain & Lourdes Méndez.
Ayuntamiento de Vitoria-Gastiezko Udalak, 2012

‘Whose Beauty? Women, Art, and Inter-subjectivity in Luce Irigaray’s Writings’

in: Beauty Matters
ed. Peg Zeglin Brand
Indiana University Press, 2000

‘The Morphology of the Mucous: Irigarayan possibilities in the material practices of art’

in: Differential Aesthetics: Art Practices, Philosophy and Feminist Understandings
eds.: Penny Florence & Nicola Foster
Ashgate 2000
republished: Routledge, 2017

‘Becoming women: Irigaray, Ireland and Visual Representation'

in: Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures
eds.: Sighle Bhreathnach-Lynch & Tricia Cusack
​Ashgate, 2003
Republished: Routledge, 2019

‘Border Crossings: Womanliness, body, representation’​

in: New Feminist Art Criticism: Critical Strategies
ed.: Katy Deepwell 
Manchester University Press, 1995