Hilary Robinson
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Publications:
essays 

Selected essays in journals, catalogues, magazines, 
​

and elsewhere

Selected academic journal essays
2021:  ‘Feminism, Women and Art Education: the UK Experience’, Women’s Studies International Forum  n.85
2019:  ‘The early work of Griselda Pollock in the context of developing feminist thinking in art history and criticism.’ In: Raluca Bibiri (ed) Griselda Pollock: From Feminism to the Concentratory and Beyond Special issue: Images, Imagini, Images Journal of Visual and Cultural Studies n. 7 2017 (published 2019) (Iași: Institutul European, Romania)
2016: ‘Feminism meets the Big Exhibition: Museum Survey Shows since 2005’, OnCurating Issue 29. Special issue: Curating in Feminist Thought 
2013:  ‘Actionmyth, Historypanic: The entry of VALIE EXPORT’s Aktionhose: Genitalpanik into art history’, n.paradoxa: international feminist art journal vol. 32 
2002:  ‘Approaching painting through feminine morphology’ Paragraph v.23, n. 3. Special Issue: Dialogues: Luce Irigaray
2000: ‘Disruptive Women Artists: An Irigarayan Reading of Irish Visual Culture’, Irish Studies Review, v.8, n.1
1997:  ‘Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin’, Journal of Gender Studies, v.6, n.3
1995: ‘Irish/Woman/Artist: Selective Readings’, Feminist Review, n. 50

​Selected catalogue essays
 2019:  ‘Vanessa German: Assembling a Radical Generosity’ in Vanessa German: Miracles and Glories Abound (Flint, MI: Flint Institute of Art)
1996:  'Fragments and Speculations towards a Context for “Crossing Borders”’, in Whitney Chadwick and Cherie Raciti (eds), Crossing Boundaries: Belfast Contemporary Art from Northern Ireland (San Francisco State University)
1995:  ‘Rita Duffy: Reconstructing Narratives’, in Rita Duffy: Palimpsest (Orchard Gallery Derry)
1992:  ‘Dancing on the Margins: Gender, Body, Representation’, in Sounding the Depths: Pauline Cummins and Louise Walsh, Irish Museum of Modern Art, Dublin
1990:  ‘The Body of the Mother: paradoxes and absences’, in Mothers, Ikon Gallery, Birmingham
1990:  ‘Through the Looking Glass: a context for the work of Wendy McMurdo’, in Wendy McMurdo, City Art Centre, Edinburgh
1989:  ‘Towards unravelling the layers’, in Natalia Abakalova and Anatolya Zighalov, Third Eye Centre, Glasgow
1986:  ‘Pauline Cummins’ in Irish Art, WAAG Publications, Boston and New York

Selected magazine essays
2002:  ‘The Gender Gap’, Circa no. 100
1999:  ‘The Women’s Movement in Art Education’, Circa, n. 89, supplement: A is for Art: A Supplement on Art Education
1996:  ‘She Looks at Her Looking For Him: Sophie Calle’, Women’s Art Magazine
1995: ‘Reframing Women’, Circa no. 72
1994: ‘Irigaray’s Imaginings’, Women’s Art Magazine, Nov/Dec 
1994: ‘Feminism in Art History: The Reclining Nude’, Women’s News: Irish Feminist Magazine, June/July
1993 : ‘Artist run’, Circa no 66, winter
1992:  ‘Bodies of knowledge’, Women’s Art Magazine no. 49
1992:  ‘Jo Spence 1934-1992’, Portfolio Magazine no 15
1990:  ‘Helen Chadwick’, WASL Journal, Jan/Feb
1989:  ‘Marie Jo Lafontaine’, Art Monthly, n. 127
1988:  ‘We don’t need another hero’, Alba, summer
1988:  ‘Artists in Poland’, Artists Newsletter, September
1984: ‘The Women Artists’ Conference, Glasgow’, Aspects no. 28

Miscellaneous
2011: Untitled contribution, M/E/A/N/I/N/G 25th Anniversary Edition, http://writing.upenn.edu/pepc/meaning/05/index.html
2001: ‘Women in Art History, Theory and Criticism’ and  ‘Women in Sculpture and Installation’, in Encyclopaedia of Women’s Studies, ed. Dale Spender (New York: Routledge)
1998:  ‘Luce Irigaray’ in Mike Kelly (ed) Encyclopaedia of Aesthetics (Oxford University Press) vol 2
1996:  ‘Louise Bourgeois’s “Cells”: Gesturing towards the mother’, in Ian Cole (ed): Museum of Modern Art Papers vol 1: Louise Bourgeois, Oxford: Museum of Modern Art
1991:  ‘The Role of the Critic in a Changing Europe’, in Chris Carrell & Jekaterina Young (eds): Points East Conference Papers, New Beginnings, Glasgow

 
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